IN A DISCUSSION AMONG WRITERS and fans on another blog, the notion of a chop — a stamp or seal used to sign and sanctify a document — for authors, the idea being to allow said author to sign more autographs and/or books in a shorter period of time.
Reading the various comments, it came to mind that I have used the concept in the past myself — signing work with a winged capital “A”, as can be seen in this frame from my orphaned comic strip, Jazzcat.
And that I might want to play with the notion of trying it again — to update the idea from forty years ago to the 21st Century. An image I had seen recently — an illustration by an asian woman, the provenance of which I can’t recall any more — put me in mind of a certain style of sig or logo that is, indeed, derivative of Chinese chop seals. examples of which can be seen on this Pinterest board (which I am now following). Designs like those seen can be rendered onto a custom made rubber stamp or, at greater expense, a formal chop-type seal. I do not have the facility with either the Chinese language or the system of writing to design my own of either, though, sometime in the future, given an improved pecuniary circumstance, if I can form a favorite aphorism to thus encode, I might have one made for myself. Meantimes, I tried my hand at a sort of a roundeyes version of the idea.
If you google “artists’ signatures”, you’ll find page after page of images of things like the Chinese chops and seals. And, in a lot of cases, the designs take advantage of the resemblance of geometric primitives — circles, squares, triangles, etc — to some arcane alphabet. I decided to take that as a jumping off point, using my initials — MPA — as the input filter. The result, as you can see, looks like the back of an envelope — which is kind of meta, if you think about it.
The image I’ve been carrying in my mind is, as best I can remember it, in two colors — black and red, with the design and characters reversed out to the (white) paper color. So I played with the basic logo to make several variations, but not wanting to get too far from something that, in the absence of a stamp or seal, could be drawn with a few quick strokes of a pen. The results below. (Click to embiggen.)
Of course, given a Photoshop install (which I don’t have at the moment — the subscription for PSCC being beyond my reach*), one could readily spin off a wide variation with textures, embossing, shadows, glows, and lens flare, though you’d want to keep it simple. Either you can use a rubber stamp — which you can get custom-made for a reasonable fee — or you want to draw the chop by hand. If you get to the point where you have to use a 4-color, die-cut sticker, the idea of simplifying the autograph process has just jumped the shark.
*Though, it could be made possible were person or persons among the readership here moved to make contributions to the as-yet-ongoing GoFundMe campaign (button at right). Such would also serve the purpose of kick-starting my freelance art business, which is, at this moment (see posts below), stillborn.